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Vor dem Steintor 114, 28203 Bremen
Bremen's largest arthouse cinema, Vor dem Steintor in the Viertel, and the oldest of the four houses run by Schauburg Kino GmbH. It opened in September 1929 to a design by the Bremen architect Joseph Ostwald, seated 800 and was the city's first sound-film theatre. After the cinema crisis of the early 1980s an association took it over in 1982, subdivided the auditorium and ran it until 1992 as a Kulturzentrum with concerts, cabaret and school theatre alongside film. Two digital halls remain, of 258 and 79 seats, together taking more than 100,000 admissions a year. The programme is international new arthouse with documentaries, children's cinema, sneak previews and thematic strands. This is the group's original-version house: close to a fifth of its screenings are subtitled originals. Premieres often bring the director or the cast. Trams 2, 3 and 10 stop outside.
Farasha and Faris are 20 when they meet at a graduation party – one glance that changes everything. But Farasha dies that very same night. Refusing to be separated from him, she discovers a way to cross the boundary between worlds: for 40 nights, and 40 nights only, she can meet Faris in his dreams. And so their love continues to grow, until the very last night.
In 2030, retired actress Mrs. Winkler lives bitterly and marked by pain. When her daughter Emi accepts a theater offer, a care robot named Pavlovich takes over the care of her mother. Unexpectedly, his knowledge of classical plays seems to reawaken Mrs. Winkler's will to live...
The Blood Countess and her maid embark on a quest for the red elixir of life and a book that threatens the vampire realm. Hot on their heels are a police inspector, two vampirologists, a vegetarian nephew and his therapist.
The group of friends from “Das perfekte Geheimnis” have to ask themselves the question on a chaotic short trip to the south: Is there life after the truth or is their friendship over?
