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Mit fast 70 Jahren wollte Verdi eigentlich keine Oper mehr schreiben. Doch sein Librettist Arrigo Boito überzeugte ihn, Shakespeares Otello zu vertonen, in dem Jago das Böse verkörpert, Desdemona das Gute und Otello das tragische Opfer, das zum Instrument des Bösen wird und das Gute zerstört. Als die Oper angekündigt wurde, fieberte ganz Europa der Premiere 1887 entgegen – der Jubel am Ende war grenzenlos.