This autobiographical documentary questions how family films, recreated in studios, become intimate memory sites shaped by transnational identities and rapid socio-political change, erasing personal places and making migration—internal or external—an inevitable result.
This autobiographical documentary questions how family films, recreated in studios, become intimate memory sites shaped by transnational identities and rapid socio-political change, erasing personal places and making migration—internal or external—an inevitable result.